Acquainted with the night
Chicken Poetry Reading
Poetry is what gets lost in translation.”
― Robert Frost
“Remembrance” by Ray Bradbury
And this is where we went, I thought,
Now here, now there, upon the grass
Some forty years ago.
I had returned and walked along the streets
And saw the house where I was born
And grown and had my endless days.
The days being short now, simply I had come
To gaze and look and stare upon
The thought of that once endless maze of afternoons.
But most of all I wished to find the places where I ran
As dogs do run before or after boys,
The paths put down by Indians or brothers wise and swift
Pretending at a tribe.
I came to the ravine.
I half slid down the path
A man with graying hair but seeming supple thoughts
And saw the place was empty.
Fools! I thought. O, boys of this new year,
Why don’t you know the Abyss waits you here?
Ravines are special fine and lovely green
And secretive and wandering with apes and thugs
And bandit bees that steal from flowers to give to trees.
Caves echo here and creeks for wading after loot:
A water-strider, crayfish, precious stone
Or long-lost rubber boot —
It is a natural treasure-house, so why the silent place?
What’s happened to our boys that they no longer race
And stand them still to contemplate Christ’s handiwork:
His clear blood bled in syrups from the lovely wounded trees?
Why only bees and blackbird winds and bending grass?
No matter. Walk. Walk, look, and sweet recall.
I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.
Now in the green ravine of middle years I stood
Beneath that tree. Why, why, I thought, my God,
It’s not so high. Why did I shriek?
It can’t be more than fifteen feet above. I’ll climb it handily.
And did.
And squatted like an aging ape alone and thanking God
That no one saw this ancient man at antics
Clutched grotesquely to the bole.
But then, ah God, what awe.
The squirrel’s hole and long-lost nest were there.
I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!
The note I’d put? It’s surely stolen off by now.
A boy or screech-owl’s pilfered, read, and tattered it.
It’s scattered to the lake like pollen, chestnut leaf
Or smoke of dandelion that breaks along the wind of time…
No. No.
I put my hand into the nest. I dug my fingers deep.
Nothing. And still more nothing. Yet digging further
I brought forth:
The note.
Like mothwings neatly powdered on themselves, and folded close
It had survived. No rains had touched, no sunlight bleached
Its stuff. It lay upon my palm. I knew its look:
Ruled paper from an old Sioux Indian Head scribble writing book.
What, what, oh, what had I put there in words
So many years ago?
I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?
I remember you.
I remember you.
A Minor Bird
I have wished a bird would fly away,
And not sing by my house all day;Have clapped my hands at him from the door
When it seemed as if I could bear no more.The fault must partly have been in me.
The bird was not to blame for his key.And of course there must be something wrong
In wanting to silence any song.Robert Frost
The Odyssey - Homer
Poetry
Acquainted with the Night
by Robert Frost
I have been one acquainted with the night.
I have walked out in rain — and back in rain.
I have outwalked the furthest city light.I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,But not to call me back or say good-bye;
And further still at an unearthly height,
O luminary clock against the skyProclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
A QuixoticQuest … Always tilting at windmills
Written for the Wind
The night is silent and dark,
Reflections and shadows move in the stillness,
Back my mind casts to days spent,
Choices made are rethought
To change that which was within my power,
Who would I be now?
Forward my mind wanders to that which cannot be,
That sweet desired perfect future,
Where all is settled and comes together,
Like a fine cherished fermented wine
In glasses toasted by impassioned lovers,
Who would I be then?
My thoughts of tomorrow consume this present,
Lost in this moment, this time, this place,
My well of words carrying me through the zephyr of time,
Like wings seeking to master
Direction, current, distance, and speed,
They are written for the wind.
(Copyright 2012, DJ Archer)
I’m Sorry
He startled me,
Seeing him
In the cold first light,
A stranger familiar,
Pale and drawn,
Weary and pensive,
Unsettled and torn.
He looks to be the mural
Of 500 nights of
Air raid sirens,
Clashing symbols,
Unoiled door hinges,
Scratched and snapping
Slim Whitman vinyl.
We’d acquainted before,
During a time
When we both
Had no doubt,
That there would be
More tomorrows
Than yesterdays.
The wait for his words
Was little worse,
Than the pain behind his eyes.
“I’m sorry,” he choked out.
“I’m sorry for failing you,”
“I’m sorry for not being stronger.”
“I’m sorry for taking time for granted.”
“I’m sorry for selfish choices.”
“I’m sorry for words left unspoken.”
“I’m sorry for quiet cowardice.”
“I’m sorry for wanting to be,”
“Someone other than myself.”
“But most of all…”
“I’m sorry for losing love.”
We both pressed our palm
To the glass, fingers touching,
Heads and eyes, cast downward,
Unable to meet each other’s gaze.
While the shower steamed,
Overwhelming the moment,
Hiding the man behind the mirror.
(Copyright 2012, DJ Archer)
Dirty Little Mouse Balls
Pesky lil rodent
Sittin all fat
and plump
and Smirky
On my desk
Tail curled
Twistin
Twinin
Neath
My puter
Filthy ol lazy thang
Rolls round n round
Same ol circles
Squeakin
Pushin my buttons
I just want to
SMACK you
But afraid you’ll
Go tummy up
Exposin dirty lil mouse balls
You’re the face of
The New Age
Of Black Plague…
I think it’s time…
To wash my hands and get…
An optical mouse …
(Copyright 2012, DJ Archer)
More Dream Than Real
Now
It seems more dream
Than real
That first time
Anxiously anticipating
Awaiting your arrival
Finally becoming flesh
I was
Peering through a window
When you blazed upon me
A sunburst showering
A blinding stream of light
Searing through the clouds
Incinerating me in awe
I invited you
Into my private place
My heart my dreams
My secrets all laid bare
We cast off our clothes
Early autumn leaves
Shaken from a forest of trees
Time took a slumber
Leaving us undisturbed
Allowing us to discover
Waves and waves
Of amazing pleasure
Again and again
Experiencing places we’d never been
Folding tightly into each other
Our bodies blending
The mountains and the sky
Rivers rushing frantically
Spilling into the ocean
We spent the morning
Soaked in each other’s wet
The world finally regained her footing
Time awoke to tick again
The wind rustling the leaves
Redressing us in reality
A last embrace and final farewell
Returned you back to the sky
Leaving only your taste on my lips
(Copyright 2012, DJ Archer)
Morning Shadows
In that halfway land between dream and day
I am in my youth once more
That wonderful time of discovery and innocence
That painful time of discovery and innocence
That unsure time of decision and innocence
That special moment of infinite tomorrows
How simple it is to reach out one’s hand
With no fear or care of what one might grasp
Where the only limitations have not yet
Been born of the mind or rules or others
And it matters not if one’s fingers close around
Air or sand or diamonds or gold
Because it is all new and fresh and wonderful
How sweetly I drift to sleep at night
Longing for this time of the morning
When shadows and reality are but the same
And the body in which I dwell knows no time
These morning shadows are my friends
The impassioned lover to which I awake
The shroud I will have with me always
(Copyright 2012, DJ Archer)

